Humour in Freud

Jennifer Higgie:  The Artist’s Joke – Extract of every significant text on humour by philosophers
John Welchman: Black Sphinx – Black humour in art
Simon Critchley: On Humour, Humour Noir
Freud: Jokes and their relation to the unconscious – Economies in psychic expenditure. Thermodynamic and theory of psychodynamic of humour and comics. Hardly refers to irony (saying one thing but clearly meaning another).
Youtube: Man stalked by rutting stag. Freud argues we identify with the plight of the man, mentally mimic (Ideational Mimisis). In the process of identifying we prepare ourselves in advanced to expend mental energy to perceive mental trauma. (cathexis).
Irony: Post-modernism required insider knowledge. Exists on level of discursive meaning.
Comedy is the product of the preconscious. Jokes are one of the most social means of achieving economy in psychic expenditure. We rarely remember dreams and rarely remember very good jokes. Jokes will reoccur in a different situation. Jokes are made at the expense of something/ somebody told to another. Listener/ viewer completes the joke.
Oscar Wilde: All bad poetry is sincere.
Andre Breton: Pope of surrealism. Coined the phrase Black Humour. It is the enemy of all sentimentality.
How do jokes open onto the unconscious?
Repression. The unconscious mind is a zone, unfathomable zone of psyche, full of psychic materials that we force to repress because we cannot confront it. Consumed by violence, aggression, erotic, primary narcissism. Jokes about things we repress and object. Repressed can return in negative ways.  Jokes allow us to return repressed psychic matters. Cathartically. Social, collectively cathartic. If something was presented in conventional first order discourse, would be too painful to confront. Manipulating language. Language is outside. The unsaid is constitutive of what we are.
Jokes are micro narratives.
Paul McCarthy
The return of the real: Post-Modernism repressed the real, the abject.
Marc Quinn: Shit
Jeff Koons; Fabricated images.
Koppenberger: Hospitalised.
Exhibition: Martin get in the corner, you should be ashamed of yourself.

The Frame

Derrida
  • Parergon – Work is neither inside or outside the frame, it is the practice.
  • Hinge
Deleuze
  •  “The first gesture of art is the frame”
Weiner
  • Field, territory signified by frame
Duchamp
  • Frame becomes implicated in the art
  • Presences and absence – Rou Larrey
  • Interested neither in art or in everyday life by themselves but in the space in between. It doesn’t exist. It has to be made and remade.
  • Infra-thin: Paradox which has a strange existence because it isn’t visible but it is palpable.
  • Die Schriften
Wollinger
  • Fountain.
  • Environmental concerns?
  • Sold for thousands
Maurizio Cattelan
  • Castle in northern Italy, rope ladder
  • Untitled 2001
Urs Fischer
  • Construction workers took up the floor of a gallery
  • Gavin Brown Enterprise
Mondrian
  • Renders the palpable
  • In and Out
  • Surface of the frame
Ruscha
  • Strips continuous
  • Continuous folding and unfolding
Koons
  • Untitled gold mirror
  • Simultaneously inside and outside of itself
Wolfgang Tillmans

Contemporary Art Theory – Gesture

Giorgio Agamben: Gesture, or the structure of Art. 2011
  • Art as a kind of pure gestures
  • What constitutes as a proper gesture with another?
  • Pure gesture is the minimum form of the political
  • Conventional language in the fixed relationship between words and things
  • Things have set meaning
  • Pure gestures suspend and open up a gap in this
  • Zero Degree, Literature Zero Degree, infinitely suspended gesture
  • Language = symbolic encoded represented as an equation/ signifier
  • Identifying art as pure gestures
  • Significations without signification
Marcel Broodthaers: Mallarme
Lichenstein: Brush Stroke
  • Picture of a gesture.
  • Critical about gesture.
  • Ironic comment of it.
  • Not pure.
  • Conventional signs for contemporary art.
  • Mechanical reproduction.
Lawrence Weiner
  • Showing of language
  • Never nonsense. Perfectly pitched between sense and nonsense
  • Out of context with the work. Appropriation and presentation of language
  • Linguistic queues.
  • Lack of subtext
Laure Prouvost
  • Has meaning. Grounded. Less whimsical. Not pure gestures.
Michael Krebber
  • Passive aggressive gestures
  • Minimalism
Merlin Carpenter
  • Not pure gesture.
  • “De-subjectivation of the brush stroke”
Isabelle Graw: High Price
  • Not pure. Pricing
Gerhard Richter
  • Post 1981 abstract paintings
  • Character of readymades. Random slices of nature.
  • Incomprehensible
  • Photo-paintings: Showing instead of telling. Liberations of photographs.
Jackson Pollock
  • Rhythmic painting, gestural brushstrokes
  • Rhythm broken by filled in sections. Mondrian-esque
Ed Ruscha
  • A means without end
  • Fruit juices and vegetables used as mediums.
  • Devoid of subtext
Sigmar Polke: Bordom loop
  • Pointless loop of masking tape
Cy Twombly
Jasper Johns
  • Ironic abstract expressionism
  • Half-heartedly applied.
  • Ironic subtext so is not pure gesture
Wade Guyton
  • Readymade appearanc