Over the last few days I have been continuing my research into the Anasazi and have been creating information boards for my exhibition.
Monthly Archives: March 2014
Summer Assessment: Culture Inspiration
After looking over a few ancient lost cultures I settled on the Anasazi from Pueblo Bonito in North America. From “Virtual Archaeology Re-creating Ancient Worlds” by Harry N. Abrams I learnt that:
“Pueblo Bonito, in Chaco Canyon in the American Southwest, was one of the most remarkable towns in pre-Columbian North America. It was built by the Anasazi in the period AD 950 – 1150, on a D-shaped plan. The complex at one time consisted of 5 semicular platforms around a vast central square dotted with numerous pits that led to underground ritual areas )kivas). The town had both commercial and religious roles and was one a of a group of sites in the San Juan connected by a unique road network.
Summer Assessment: Sculpture Design Inspiration
Here is link to a board I created on Pinterest to gather some inspiration on styles and designs for my sculptures. Below are a few of the images that stood out to me the most.
Summer Assessment: Duct Tape Sculptures and Review
Summer Assessment: Museum Layout
Over the last week I have thought about different spacial designs for the layout of the Museum. I also booked a projector for the exhibition.
Summer Assessment: Le Musée des Cultures Oubliées
Today I began to plan my museum. After listening to Tina suggest French names for the venue yesterday I have been inspired and decided to continue in French. I spoke to my French friend Élisa who is helping me with translation.
Originally I was looking at the name “The Museum of Accessories of the Neck”, however the literal translation does not make sense in French so Élisa did her best to make it fit as came up with “Le Musée des Accessories de Parures pour le Cou” which means “The Museum of Accessories of Jewels for the Neck”. This name wasn’t as effective as I hoped it would be so I focused on the point of fiction within my pieces which lead to:
- “Le Musée des Cultures Fictive” – The Museum of Fictional Cultures
- “Le Musée des Cultures Imaginaires” – The Museum of Imaginary Cultures
- “Le Musée des Cultures Perdues” – The Museum of Lost Cultures
- “Le Musée des Cultures Oubliées” – The Museum of Forgotten Cultures
The final one was chosen because it initially made the most sense to me about the society or societies I am going to create within the exhibition.
Pieces to include within the exhibition: film (projection), sculptures, photography, informative performance given in both French and English.
Spare Time: Photography Workshop: Week 4
Collaborating with Anastasia: Kayan Lahwi (Burma): Review with Tina
- Choose a location/ create a ‘Museum’ dedicated to the neck. Name it something witty.
- Visit the V&A Museum and see how they set up exhibitions
- Decide on pieces to display: video, sculpture, other media
- Get an official sign created for the ‘Museum”
Collaborating with Anastasia: Kayan Lahwi (Burma): Latex
Today I spoke with Olivia Stagg, a finalist, about possible materials to use for decoration and to create a base as I wasn’t entirely happy with the pattern I created. We spoke about using meat however couldn’t find an appropriate link between the use of animals when my piece relates to female humans, and using human flesh is probably too controversial. Something that made sense to both of us was the use of latex to create the base of my sculptures as I have experience with this material and already have some available to use. Latex will give a more accurate casting of the neck and a smoother finish. It is also quick and easy to use. Latex could also be used to create the decorations, especially for the anatomical design.
Sheets of latex: